2001: A Space Odyssey (1968) 1080p YIFY Movie

2001: A Space Odyssey (1968) 1080p

2001: A Space Odyssey is a movie starring Keir Dullea, Gary Lockwood, and William Sylvester. A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith,...

IMDB: 8.38 Likes

  • Genre: Adventure | Sci-Fi
  • Quality: 1080p
  • Size: 2.98G
  • Resolution: / fps
  • Language: English
  • Run Time: 149
  • IMDB Rating: 8.3/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 10

The Synopsis for 2001: A Space Odyssey (1968) 1080p

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.


The Director and Players for 2001: A Space Odyssey (1968) 1080p

[Director]Stanley Kubrick
[Role:]Daniel Richter
[Role:]William Sylvester
[Role:]Gary Lockwood
[Role:]Keir Dullea


The Reviews for 2001: A Space Odyssey (1968) 1080p


Cosmic ArtReviewed byLechuguillaVote: 10/10

Mankind's Self awakening is the theme of "2001: A Space Odyssey", a process that unfolds along a space-time continuum. We "see" our primordial past, and we "infer" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.

From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.

In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.

"2001 ... " is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word "masterpiece" to describe a movie. But Stanley Kubrick's "2001: A Space Odyssey" is art in the highest sense, like Leonardo da Vinci's "Mona Lisa", or Vincent Van Gogh's "The Starry Night".

50 years strong and this journey still has plenty to offerReviewed bypraymondmurrayVote: 10/10

There is not much new I can say that hasn't alredy been said in regards to the plot points and themes of Kubrick's magnum opus, so I won't even try.

What I will say is that I saw this film at a cinema in Belfast where it is being screened to celebrate the 50th anniversary of its original theatrical release.

I have seen 2001 many times on a TV screen and always enjoyed it. How can you not love a film with HAL? But seeing it at a cinema was a completely different experience and I was simply astonished by what I saw.

Here is a film 50 years old and it looked mint. The set pieces are incredible and all I could do was marvel at what I was looking at. It really gave me a new appreciation for what Stanley Kubrick and everyone involved in the production crew achieved.

As I said already, I have nothing new to say regarding the overall themes of 2001: A Space Odyssey but one thing I will do is recommend that if it is being screened in a cinema near you, seize the opportunity to watch this masterpiece on the biggest stage of all, where it belongs.

Unmatched accomplishmentReviewed bysimon_boothVote: 10/10

Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.

Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.

2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.

Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.

I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.

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